Nerikomi, Up Close

I work primarily with nerikomi, a Japanese ceramic technique where coloured clays are layered so the pattern runs through the entire body of the piece. Nothing is painted on. What you see is revealed from within, which makes the process equal parts planning, patience and a healthy respect for things that refuse to be rushed.

Each object begins as tinted clay mixed to precise tones, then cut, stacked and compressed into patterned blocks. From these I slice and hand-build my forms, rarely seeing the full design until the final stages. It adds a small but reliable element of suspense, which keeps the work interesting and me politely on my toes. After firing, every surface is carefully sanded to bring the pattern into focus.

The result is functional ceramics designed for everyday rituals. Patterns unfold gradually, surfaces reward attention and forms settle comfortably into daily life. They are objects that invite a closer look and, more often than not, a second one just to be sure.

My Process

  • Understand the Pattern

    Understand the Pattern

    Every piece begins with intention. We define the pattern, colour palette, and structure before any clay is prepared.

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and half circle lines.

    Build the Layers

    Coloured clays are carefully mixed, layered, and compressed into blocks. This is where the pattern is formed—slowly and precisely.

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and circle lines.

    Reveal the Surface

    The block is sliced to expose the internal pattern. Each cut reveals a unique composition that cannot be replicated.

  • Geometric drawing of an outline square with sections divided by vertical, horizontal, and diagonal lines.

    Shape & Refine

    The patterned slabs are shaped into final forms. The process requires sensitivity—preserving the pattern while creating a functional object.